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Duel At Silver Creek [DVD]

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A half-hearted attempt to steer a little Western slightly off the beaten trail was unfolded with the Palace's new stage show yesterday. Additionally, Audie Murphy's cropped, black leather jacket is sweet as hell, and this early Lee Marvin role as a local shit disturber reveals just how early he settled into playing sexy, smirking dirtbags. Alone with McNally, Domergue vamps him into forgetting his job…In a sense, McNally’s gun had abandons him by becoming lame after an injury, leaving him more open to assault. Ruthless claim-jumpers, femme fatale guile, tenacious lawman, vengeful quickdraw-turned-deputy: The Duel At Silver Creek is lean, pulpy, ‘50s b-western fun.

To preserve these articles as they originally appeared, The Times does not alter, edit or update them. I came to this film on the basis of it being Don Siegel's first western and the first film he made in colour. don 'the don' siegel directs with intense grit -- a comparative trifle, but the seeds of greatness to come; the rare one of his films that actually has interesting female characters, including a high-femme villain! During the climactic gunfight where rider Rod Lacy is himself chased on horseback by the marshal and both then dismount to continue shooting at each other, Lacy astonishingly manages to fire 11 shots from what is clearly a revolver pistol (which normally fires only 6) before an attempted 12th shot reveals it to be out of ammunition, and only then is Lacy forced to reload it - he is out of frame briefly whilst on his galloping horse (the camera cuts to the chasing marshal) but could not have conceivably re-loaded during that very short time, and at no point throughout is he shown to be carrying 2 guns.Leonard Goldstein, the producer, has propped this routine affair against some average Technicolor scenery, and the commotion remains as pat and unsurprising as the kicked-up dust, which, in all fairness to Don Siegel's direction, is plentiful.

DUEL AT SILVER CREEK; screen play by Gerald Drayson Adams and Joseph Hoffman; directed by Don Siegel; produced by Leonard Goldstein for Universal-International. Audie Murphy is the main star as the Silver Kid, two six-guns and black leather vest, while Faith Domergue plays Opal Lacy, a sexy cold-blooded killer. As for the ladies, the nice one, Miss Cabot, runs around garbed like the village blacksmith, complete with smoking revolver. Though it does suffer from the bevy of clichés befitting for one of its genre in 1952, The Duel at Silver Creek is pretty satisfying for things you know you want to see in a Siegel feature (B-movie efficiency, surprising violence, straight-up cool noir vibes) but also some things you might not expect (a femme fetale, brilliant tracking shots, and terrific costumes).I know there hasn't been that many new releases during the pandemic, cinematic visits have been scarce, with cinemas closed for long periods of time and studios holding back films to make the most from their investment. The story takes an ominous twist after the Marshall meets the scheming girl Opal Lacy who has secret plans that aren't in the Marshall's best interest. That all combines to make The Duel at Silver Creek a solid little Western that uses the conventions of the genre well in a swift and colourful manner. oh to be in the wild west and wear a cool black leather jacket like audie murphy -- his babyface blasting baddies with two shiny six-guns, because sometimes overkill is the right amount of kill.

The Duel at Silver Creek dramatizes the perils of personal isolation and infirmity, conditions likely to prove fatal to the forces of evil. The prettiest, Miss Domergue, not only dresses to the ears but, as one of the chief culprits, is not above garroting a wounded man to death. The tropes and structure that he's working with here are certainly very conventional since it looks, acts, and is executed like a pretty typical Western of the classic variety. A gang of claim jumpers are forcing the owners to sign their claims over to them but then kill them anyway. At just 77 minutes long, The Duel at Silver Creek is hardly the lengthiest Western ever made yet Don Siegel is still able to pack into it a lot of action in his first outing in the genre.A gang of claim jumpers is infesting the territory, gaining ownership of undermanned mining operations through extortion.

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